Living Peace

In the beginning of my summer holiday Salam from Betlehem Fair Trade Artisans, (BFTA) called me about an assignment, she needed a designer for. When I hear what it was about I immediately accepted because, this was about all I long to use my designerly skill for. A cooperation between BFTA, a Palestinian NGO I already was working with and then Sindyanna of Galilee, an Israeli non-profit organization led by a team of Arab and Jewish women working to create social change. My summer was set.

The project was to combine products from the two partners and my task was to develop a concept and giving shape to the products from the organisations. Also I was given that the concept had to be the about Peace. At our very first meeting I sugessted to build the concept up around food and having sharing a meal. This idea stayed with us and eventually became the Living Peace concept with a Living Peace Meal Box. The box contains a Table Tower with two small stacking dishes, one of olive wood and one made of ceramic. Along with the dishes Olive Oil and Za’atar to put in the dishes. In the centre of the box did we decide to put the Balancing Peace Bird and a Peace Conversations Menu.

The idea with the box is, that person receiving the box invites friend or even somebody they like to reconcile with to a meal. The small dishes and the oil and za’ater is to start the meal, break bread and start the Peace Conversation.

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Bethlehem Fair Trade Artisans

Visiting Elias olive wood workshop, Bethlehem, June, 2023

In October 2022, the German development organization GIZ offered an assignment regarding a collaboration with Bethlehem Fair Trade Artisans. After a long and sometimes incomprehensibly complicated application process, I ended up, to my great satisfaction, landing the assignment. This also became a wonderful opportunity to gather FairTrade Designers others members; Pil Bredahl and Liselotte Risell and to invite a guest designer Katinka Sol to be the dream designteam for this project. In January 2023, I traveled to Frankfurt to do research at the Ambient Fair and personally meet and spend time with the founder of BFTA; Suzan Sahori.

After the fair, a longer series of online meetings and email dialogues started with the aimed of clarifying BFTA’s needs, the artisans’ material areas and level and, and in extension of this, – to decide the material area to work with and which methods were best suited to our collaboration.

In June 2023, it was finally time for the long-planned trip to Bethlehem at the West Bank. As the project manager, I had assembled the dreamteam of designers and the trip was planned, for us constantly to be two designers on site to facilitate the workshop, explain the design proposal we had brought, working on drawing new designs and to start and supervise the preparation of prototypes of the new designs.

BFTA Craft Village, workshop location. We brought suitcases with models and equipment to work on new drawings and models.

During the three weeks on site, we held a joint workshop for all the participating artisans and we visited the participates workshops and spent time together with the artisans to develop and discuss appropriate production methods, trying to achieve as much as possible and getting as far as possible with all prototypes in progress while on site.

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Artist Statement:

By Henriette Melchiorsen

Early on in my career I worked to learn the mechanisms of design. Today I use the power of this process to change the system from within. I am part of a necessary change. Working for a new paradigm that uses creativity, art and design to find the new paths for us humans to enter into the future more happy, healthy and in balance with our surroundings and the eco system we are a part of.

I am a pragmatic idealist. I use creativity as an approach and method to create new visions. More sustainable solutions. I do this by facilitating processes in cross disciplinary forums with collaborations between many different disciplines. Because I believe any one of us might run faster alone but will get much farther working together, and the enormous problems we’re facing collectively today cannot be solved by a single person or a single industry alone.

We need to work together. Dream together. Achieve this together.

I want to expose the faults in the current system using art and critical design. And then use the vacuum that occurs to argue for the needed change – both of design as a practice and of our lifestyle and society. I dream to initiate the transition from a society based on economic growth, to an emerging future with wider criterions of success.

Something as naive as a world for our common best.

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Disappointed and annoyed

– Is how I feel, because for now I’ll not be going to spend three month at 18th Street Arts Center in Santa Monica, CA. Due to illness in my closest family, here in DK it the right place to be – and the right thing to do. But I doesn’t change the fact, that I feel disappointed and annoyed, because I had looked so much forward, prepared and also waited throughout two years of pandemic for this. Now time must show …

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At stille gode spørgsmål og lytte efter svaret

Når vi undersøger noget, påvirker vi næsten altid det, vi undersøger. Når du stiller spørgmål kan svaret være interessant, og det kan den forandring som spørgsmålet sætter i gang, i den det får stillet spørgsmålet, også være.

I forbindelse med projekt The Time Is Now overvejer jeg om det ting, som deltagerne udvælger bliver til en interessant ‘samling’ af ting? Eller om det mest er selve spørgsmålet, der er interessant …

Når jeg interviewer kan jeg godt lide pauser, fordi de giver ro til at reflektere og finde de gode svar. Pauser kan være også pinefulde, og måske alligevel også der være en måde, at få lidt mere at vide.

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Damn it!

I’m going to spend the fall in Denmark since my stay at 18th Streets Arts Center in Santa Monica, California has again been postponed. I was granted the art residency by the Danish Art Foundation #DAF / #statenskunstfond back in 2019. First the plan was to go to 18th SAC in the fall of 2020, but the pandemic changed this. Now again I was prepared and good to go, my calendar was cleared and I was super excited, but do to the COVID situation in the US the US government maintain the very strict entry rules for foreign visitors. That leaves me in Denmark alone with hopes for a better situation in the early spring of 2022.

Watch by #levimaestro

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TTIN

Projekt The Time Is Now er i bevægelse. Det vokser, går i cirkler og er i gang med at finde sin form. Så der kan præsenteres et dansk og et amerikansk spor under mit art residency på 18’th Street Art Center i LA i okt-dec. 2021.

Projektets ‘krop’ består af bidrag fra ‘bidragsydere’, som har fået til opgave: at vælge de 12 ting i deres hjem, som de ville tage med sig, hvis de skulle forlade det og ikke viste, om de nogen siden ville komme tilbage igen.

Jeg indsamler danske bidrag nu og frem til afrejse i slut september, så der er åbent henvendelser, hvis du har lyst til at være med. I så fald skriv til mig, så jeg kan fortælle mere om hvad det indebærer.

Udover det løbende arbejde med at indsamle bidrag er jeg også igang med at udarbejde et Manifest og en MaterielDetox, – det sidste er til mennesker der er afhængige af ‘ting’. Desuden arbejder jeg på workshopformater, som tager udgangspunkt i up-cycling af udtjente materialer, der skal have nyt liv i en anden form. Gerne noget der kommunikere håb og handling som fx. ‘Spread the word’, hvor der laves håndvifter af udtjente biblioteksbøger.

Projektet er støtter af @statenskunstfond, og er en del af satsningen #DKdesignUS og #denmarkinarts.

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The Royal Danish Academy

I teach at the Royal Danish Academy school of Design and normally campus looks like this … on a sunny day.

Students hanging out for outside for lunch and getting fresh air and ready for more learning.

But do to the current Corona lockdown campus is empty and all activities are now online and teaching looks more like this at the moment. It is really a learning process – for the teachers too.

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Godt Nytår

2020 har været et usædvanligt år. Pandemien har med al tydelighed vist os, hvor afhængige vi alle er af hinanden og samtidigt har vores fælles handlekraft og kollektive intelligens også vist, at vi kan langt meget mere end det vi udøver i dag, når vi arbejder sammen om fælles mål. Vaccinerne er et fantastisk eksempel på dette.

Lad os tage denne læring og bruge vores kollektiv superpower i 2021, så vi igen kan være samme, og nu endelig få sat seriøs turbo på arbejdet med de helt store fælles udfordringer som klimaforandringer og den hastige reduktion af biodiversitet. Så nu er det op med ærmerne. Det er tid til big-time forandring NU.

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HÅB / HOPE

HÅB: ‘Hope is not like a lottery ticket you can sit on the sofa and clutch, feeling lucky. Hope is an ax you break down doors with in an emergency; because hope should shove you out the door, because it will take everything you have to steer the future away from endless war, from the annihilation of the earth’s treasures and the grinding down of the poor and marginal. Hope just means another world might be possible, not promised, not guaranteed. Hope calls for action; action is impossible without hope.”

Thank you Rebecca Solnit, writer and activist for your words from ‘Hope in the Dark’, written in 2003. And thank you my friend @lynneweiss for introducing my to Rebecca Solnit.

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